George Chapman vs Anthony Verity Iliad Translation Comparison

Years: 1611 and 2012

George Chapman's and Anthony Verity's translations of Homer's *Iliad* both strive to capture the epic's grandeur but do so in distinct ways, reflecting their respective eras and styles. Chapman, writing in the early 17th century, employs an Elizabethan poetic form that is richly ornamented and often expansive. His rendition, beginning with "Achilles' baneful wrath resound, O Goddess," introduces the reader to a narrative filled with vigorous language and rhythm, aiming to evoke the epic's heroic tone. Chapman's translation emphasizes the dramatic and the timeless quality of the poetry, often infusing his lines with a lyrical and elevated style that seeks to mirror the original Greek. In contrast, Anthony Verity's modern translation adopts a more straightforward and precise approach. His opening line, "SING, goddess, the anger of Achilles, Peleus' son," signals a translation that prioritizes clarity and directness. Verity aims for a faithful rendition that is accessible to contemporary readers, retaining the narrative's essence without excessive embellishment. This style is evident in the dialogue and imagery throughout, such as when Athena addresses Diomedes: "you should not on this account be afraid of Ares or any other of the immortals." Verity's translation focuses on clarity of expression, making it approachable while still conveying the depth of the original epic's themes and emotions. Both translations offer unique journeys through the *Iliad*, with Chapman's aiming to transport the reader through grand poetic form and Verity's through faithful, clear prose.

Passage comparison

George Chapman

Achilles' baneful wrath resound, O Goddess, that impos'd
Infinite sorrows on the Greeks, and many brave souls loos'd
From breasts heroic; sent them far to that invisible cave
That no light comforts; and their limbs to dogs and vultures gave:
To all which Jove's will gave effect; from whom first strife begun
Betwixt Atrides, king of men, and Thetis' godlike son.

Anthony Verity

SING, goddess, the anger of Achilles, Peleus' son,
the accursed anger which brought the Achaeans countless
agonies and hurled many mighty shades of heroes into Hades,
causing them to become the prey of dogs and
all kinds of birds; and the plan of Zeus was fulfilled.
Sing from the time the two men were first divided in strife—
Atreus' son, lord of men, and glorious Achilles.

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